• Lab.el.ID (2019)

    Lab.el.ID is a project created by artists from Greece and Germany. Professionals in the fields of theater, dance, electronic/algorithmic composition and media/visual art meet in Athens for two weeks in an intensive creative and experimental residency. They deal with the concept of cultural identity and its significance, especially in the context of mobility, internet connectivity, feeds, messages, tweets, and updates. The result of their collaboration will be presented in the form of an installative performance at KET on the 12th and 13th of October.

    The idea for the project came up, when in the course of an application, choreographer Foteini Papadopoulou (having studied, been living, and creating art in Germany for over 16 years) found herself wondering about how she perceives herself and how she is being perceived: is she a german artist of greek origin or a greek artist living in Germany? Actor and director Marlene Kaminsky, media artist Klaudios Sklivanitis, choreographer Fotini Papadopoulou, and composer Lucas Tobiassen, with the support of actress Fotini Tsardouni, will dive into unknown territories in order to speak not so much about what they know, but about the things they want to learn through the experience of other people.

  • Halbdunkel, unverborgen (2018)

    auf vier Fenstern spiegeln Schatten Lichter wider

    im Halbdunkel von Abbild und Wirklichkeit
    zwischen Gerätschaften und dem Schein von irgendwelchen Reflexionen
    das Licht auf das Licht selbst richten
    unverborgen


    eine Installation von Lukas Tobiassen in Zusammenarbeit mit Birte Lüderitz

    Eine Veranstaltung des EarPort Duisburg
    gefördert vom Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen

  • PICKNICK (2017)

    ...an seltsam lichter Stelle...

    realisiert im EarPort Duisburg, Sonntag 28. Mai 2017 | 18.00 Uhr

    Verhaltenskodex:

    - handeln Sie nur auf Anweisung
    - verlassen Sie die gekennzeichneten Pfade nicht
    - verhalten Sie sich ruhig
    - bleiben Sie immer in der Gruppe

  • Ooze Of A Crushed Bouquet (2016)

    for 4 channel tape and Performer

    Duration: 12' - 13'

    Permiered at EarPort in Combination with an installation of Johanna Meyer and Birte Lüderitz as Performer.

    ---

    There is also a fixed media version (duration: 8'26")

  • spectators only (2012)

    sound/music for the installation from David Pollmann

    duration: 48'

    spectators only from David Pollmann on Vimeo.

  • Transite (2010)

    for 4 channel tape

    duration: 33'

    zur Ausstellung "Schön wäre, wenn uns möglichst viele besuchen würden"